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Downstream with Andrei Andreev and Maria Sylvester
29 January 2021
photo Maria Sabotinova
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Julian Kostov: Citizen of the world
3 December 2020
text Tanya Trendafilova photo Sky Atlantic
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God dammit, you have to be good
5 November 2020
text Dani Nikolova photo Adriana Yankulova
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The many lives of the director: Jean-Jacques Annaut
22 October 2020
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Cinema of the senses
8 October 2020
If you are 19 and if you already have experience not in one, but in several arts (circus, theater, cinema), the courage to look at the water and choose the deepest part to jump in is justified. -
What is Yulian Petrov watching
24 September 2020
text Danni Nikolova
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Behind the curtains with Nadya Keranova
17 October 2019
text Violeta Ivanova photos Sevda Semer
"During a play my anxiety doesn't show, thank God - otherwise what am I doing on stage at all?!", she tells us when we repeat the common opinion - that she looks super confident and just blossoms under the theater spotlight. To believe us, you only need to watch for example The Same Day or Actors vs Poets performed in one of the small halls of Sfumato, to see how easily Nadya cuts the already short distance between herself and the audience and how she boldly improvises. -
24 words in a second with Theodor Fichev
18 April 2019
text Kristina Yordanova ohoto Emil Granicharov
When his eyes fall into Gaspar Noe's Irrevesible, and then his mother plays him Andrei Tarkovsky's Stalker (because she is tired of the constant horrors he carries at home) Theodore falls in love with the movements of the screen and finally says "yes, that's cool." -
The things of life: Martina Apostolova
11 April 2019
In another scenario we would have talked to Martina after her workout, but today we meet her between two rehearsals. After 15 years of seriously playing football, she realizes she feels best not on the field, but on the stage. So she finds herself in the class of Tsvetana Maneva. -
Cinema in the subconscious: Svetlozar Vassilev
21 March 2019
Not that he does not rest with a movie sometimes, on the contrary. Still, he prefers cinema with a strong impact, which invites you to think, to remember, to watch your emotions. With his experience as a psychoanalyst and lecturer, Svetlozar Vassilev began 9 years ago the Psychoanalysis and Cinema meetings with a team of other analysts: selecting titles that unlock our important parts and discussing them with viewers at a public screening. Thus cinema becomes the key to talking about things that otherwise are not often talked about - experiences from childhood, loss or an intimate episode. On the day of our meeting, Svetlozar's book, Mirror of imagination, explains his method and history and speaks for specific titles. If you prefer to experience it yourself, the Sofia Film Fest follows two screenings with discussions, and before that, we talk to Svetlozar about watching, talking and experiencing movies. -
Things From Life: Ilian Metev
20 September 2018
text Violeta Ivanova photo Svetoslav Draganov
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The back garden of Disneyland
29 March 2018
text Evelina Ivanova
His films are focused on people who are leading a quite fight against life without happy turns. On the edge of documentary cinema, Sean Baker misses not only the sweeteners but also the artificial melodrama, showing the reality in the United States, passed by the American dream, as if he knew it from within. And this is a fact: his own life falls are almost as much as the battles he won. -
Stories of life: Mariya Stanisheva
14 December 2017
text Evelina Ivanova
She is a film director, producer and founder of Animadocs, an independent production house based in New York and Paris, and she stands behind causes that reveal the truth about our society. Maria is excited by the stories of the living life that she transforms into animation and shares with everyone open to understand. Her work uncovers problems from here to Saudi Arabia so we grab her in the pause between two travels for a quick conversation, which, however, lasted long and made us think about it for many hours. -
Along the wire with Alexander Benev
2 November 2017
text Emanuela Ivanova photo Aneliya Todorova
His favourite Bulgarian writer is Elin Pelin but we put him in Yordan Yovkov's title because it sounds more like him. -
Things from life: Elitsa Georgieva
7 September 2017
If her name is a white page in your head, it is because her first book is just coming out in Bulgarian. Cosmonauts only pass has a presentation in Sofia on September 13th, along with Elitsa and her long history - she writes the novel in Paris where she lives and studies creative writing and cinema, won the Andre Debbroy Award for a debut and was nominated for a Flor prize (founded by Beigbeder) and 111th page. -
Things from the cinema: Stephan Komandarev
8 June 2017
text Natalia Ivanova photo Anelia Todorova
You may have already heard some of the following facts - for example, how he was a psychiatrist when he was given a camera or how the news that he was selected in Cannes Film Festival was in his spam, and after unusual silence they called from there with the question "Why didn't you react, aren't you happy? ". "Of course I was happy," says Stefan Komandarev, who sends his new film Directions with rough cut so he won't miss the deadline because "one has to take risks, otherwise nothing happens". -
The Playlist of Kitodar Todorov
13 April 2017
text Emanuela Ivanova photo Aneliya Todorova
A few weeks ago we rushed in Friday at 5 sharp to get ourselves some quick humour with the two season of the YouTube show. That's when we came across Address to the nation - a video which redirected us to an Indiegogo campaign that is raising money for season 3. -
Sence of Hate
16 February 2017
text Natalia Ivanova
Top notes: a slap, arousing consciousness, shattered glass, polished gun steel ignites winter skylines, worn soles in housing projects, freefalling. Heart notes: cold sweat breaks at night, burnt tracks drawn on cracked pavements. Base notes: triggers fall back, dust moves forward, flashbacks, time stands still. -
Dissection of cinema: Blagoy Ivanov
2 February 2017
text Natalia Ivanova
He's into movies because of his father, but maintains the wick by himself: he has a degree for Film studies at the National Academy Krastyo Sarafov and now shares his observations about everything that provokes him, in the site of Operation Kino. Otherwise, he likes Bergman, Lynch, Refn and Polanski, but "if I'm good in anything, it would be how the social environment is influencing the cinema." That's why today we ask Blagoy for key trends that he has captured lately - his observations start at the shared universe of the superheroes to the social horror, the clever fiction and China as bigger factor. -
In frame: Tonislav Hristov
19 January 2017
text Natalia Ivanova
We meet just a few days before he leaves for Utah to see his documentary The Good Postman in the program of Sundance festival. We're saying one "bravo" for that, but his success is even greater because the jury rarely selects films that had already passed another important festival. In this case, IDFA in Amsterdam or "Cannes of documentary filmmaking," asTonislav calls it.
