Programata

If you are 19 and if you already have experience not in one, but in several arts (circus, theater, cinema), the courage to look at the water and choose the deepest part to jump in is justified.

"During a play my anxiety doesn't show, thank God - otherwise what am I doing on stage at all?!", she tells us when we repeat the common opinion - that she looks super confident and just blossoms under the theater spotlight. To believe us, you only need to watch for example The Same Day or Actors vs Poets performed in one of the small halls of Sfumato, to see how easily Nadya cuts the already short distance between herself and the audience and how she boldly improvises.

When his eyes fall into Gaspar Noe's Irrevesible, and then his mother plays him Andrei Tarkovsky's Stalker (because she is tired of the constant horrors he carries at home) Theodore falls in love with the movements of the screen and finally says "yes, that's cool."

"Documentary cinema has some moral boundaries - I could've shot with a real family, but it seemed wrong to me. You need to always think about how how much you take from people, even if they've told you they're ok with it."

His films are focused on people who are leading a quite fight against life without happy turns. On the edge of documentary cinema, Sean Baker misses not only the sweeteners but also the artificial melodrama, showing the reality in the United States, passed by the American dream, as if he knew it from within. And this is a fact: his own life falls are almost as much as the battles he won.

She is a film director, producer and founder of Animadocs, an independent production house based in New York and Paris, and she stands behind causes that reveal the truth about our society. Maria is excited by the stories of the living life that she transforms into animation and shares with everyone open to understand. Her work uncovers problems from here to Saudi Arabia so we grab her in the pause between two travels for a quick conversation, which, however, lasted long and made us think about it for many hours.

His favourite Bulgarian writer is Elin Pelin but we put him in Yordan Yovkov's title because it sounds more like him.

If her name is a white page in your head, it is because her first book is just coming out in Bulgarian. Cosmonauts only pass has a presentation in Sofia on September 13th, along with Elitsa and her long history - she writes the novel in Paris where she lives and studies creative writing and cinema, won the Andre Debbroy Award for a debut and was nominated for a Flor prize (founded by Beigbeder) and 111th page.

You may have already heard some of the following facts - for example, how he was a psychiatrist when he was given a camera or how the news that he was selected in Cannes Film Festival was in his spam, and after unusual silence they called from there with the question "Why didn't you react, aren't you happy? ". "Of course I was happy," says Stefan Komandarev, who sends his new film Directions with rough cut so he won't miss the deadline because "one has to take risks, otherwise nothing happens".

A few weeks ago we rushed in Friday at 5 sharp to get ourselves some quick humour with the two season of the YouTube show. That's when we came across Address to the nation - a video which redirected us to an Indiegogo campaign that is raising money for season 3. 

Top notes: a slap, arousing consciousness, shattered glass, polished gun steel ignites winter skylines, worn soles in housing projects, freefalling. Heart notes: cold sweat breaks at night, burnt tracks drawn on cracked pavements. Base notes: triggers fall back, dust moves forward, flashbacks, time stands still.

He's into movies because of his father, but maintains the wick by himself: ​​he has a degree for Film studies at the National Academy Krastyo Sarafov and now shares his observations about everything that provokes him, in the site of Operation Kino. Otherwise, he likes Bergman, Lynch, Refn and Polanski, but "if I'm good in anything, it would be how the social environment is influencing the cinema." That's why today we ask Blagoy for key trends that he has captured lately - his observations start at the shared universe of the superheroes to the social horror, the clever fiction and China as bigger factor.

We meet just a few days before he leaves for Utah to see his documentary The Good Postman in the program of Sundance festival. We're saying one "bravo" for that, but his success is even greater because the jury rarely selects films that had already passed another important festival. In this case, IDFA in Amsterdam or "Cannes of documentary filmmaking," asTonislav calls it.